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• Tiffany Stained Glass Items on Sale

  Tiffany-style Classic Wood Frame Window Panel US$ 128.99 Panel contains pieces of stained glass, each hand-cut and wrapped in fine copper foil; Elegant color scheme of amber and red; Attractive wood frame; Measures 32 inches tall x 20 inches wide Pike and Bass Stained Glass Window US$ 284.99 Pike and Bass decorative window showcases colorful fish designs Stained glass window is a sportsman's dream Accent piece is perfect for a den or game room Tiffany-style Peacock Window Panel US$ 106.99 Dress up your decor with this stunning Tiffany-style window panel. Rich colors of red, blue, pink and purple capture a beautiful peacock motif on this window accent. Tiffany-style Victorian Window Panel US$ 95.44 Handcrafted using the same techniques that were developed by Louis Comfort Tiffany in the early 1900s, this beautiful Tiffany-style piece contains hand-cut pieces of stained glass, each wrapped in fine copper foil. Tiffany-style Birds Window Panel US$ 97.19 Dress up your decor with this stunning Tiffany-style window panel. Rich colors of blue, purple, red and green capture a beautiful bird motif on this window accent.

• Newest Stained Glass Listings

  • Birds on a Wire Stained Glass Art Panel Suncatcher Window 12.75
  • Tiffany Stained Glass Transom Window Panel “Adalia” 32″ x 17″
  • Gallery Qaulity Handcrafted Peacock Stained Glass Tiffany Style
  • Eagle at Sunset Tiffany Stained Glass Window Panel 16 Inches H
  • Tiffany Style Stained Glass Accent Lamp “Holiday Angel”

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  • Stained Glass Info

• Stained Glass and Colored Glass

  “In any glass-work built up of metal-joined pieces, the leading itself is a real element in the beauty of the composition. Whether the glass be colored or clear, and no matter what design the whole may represent, the lines of the leading never should be considered as an interference with the treatment of the subject, but rather, as giving additional values. In some cases, for example, lines of unusual weight may add distinction and impressiveness.
  
  So well recognized was this principle by the makers of medieval church windows that many of the most famous designs in stained glass were based wholly upon the lines of the leading. In succeeding periods, as the art declined, the workers manifestly began to treat the leading as a defect, or at least an obstacle. More and more they tried to make the leaded stained glass look like a painting.
  
  In yielding to this cardinal error, the vital spirit of leaded glass art was lost. This art, whether colored or clear glass be its medium, is a decorative system that belongs exclusively to glass, and should imitate no other system.”